Racconti Veneziani

L'Interview d'Alain Elkann GIBERTO ARRIVABENE Sa famille possède depuis 200 ans le Palazzo Papadopoli, un bijou du XVI siècle sur le Grand Canal devenu en 2013 un hôtel Aman. L'aristocrate, qui réside toujours au palais et possède une verrerie à Murano, nous fait partager son amour pour Venise. 5 juin 2021 Votre Palazzo Papadopoli, sur [...] Continua la lettura

Stimmung Profis Rechtzeitig für den Frühling werden auch beliebte Accessoires neu sortiert. Dabei spielen die Gläser als unabkömmliche Details am Tisch eine große Rolle. Treiben Sie es doch einfach so richtig bunt. May 2021 Think Pink Venedigs Glas-Baron Giberto Arrivabene Valenti Gonzaga ent- wirft hauchzarte Glaskreationen– hier in intensivem Pink. giberto.it Related Products Aggiungi alla [...] Continua la lettura

Interiors Little Black Book: Isabelle Dubern-Mallevays Isabelle Dubern-Mallevays describes herself as an "entrepreneur obsessed with all things beautiful". A former creative director of Dior Maison, she’s the co-founder of luxury lifestyle store The Invisible Collection and continues to consult as an artistic advisor to luxury brands such as Diptyque and Dior Parfums. As a result, [...] Continua la lettura

Welcome to our Palazzo One of Venice's grandest palaces is also home to a family of seven who have restored it to its former glory. So what's it like to grow up in 16th-century splendour on the Grand Canal? Carolyn Asome meets its owners Photos by Kate Martin 23 march 2021 Instantly recognisable by the [...] Continua la lettura

Giberto Arrivabene Valenti Gonzaga was raised by strong female figures in Palazzo Papadopoli, Venice, surrounded by Tiepolo frescoes. The context in which he grew up had a great impact on his unique sense of aesthetics. A love of glass and craftsmanship are at the heart of his work. He creates each piece starting first with [...] Continua la lettura

Paolina Calcata e Moltiplicata  di Fulvio Irace 11 settembre 2016 Si fa presto a dire copia! Un termine su cui oggi pesa l’incubo della contraffazione ma che per molti secoli - quando l’originalità non costituiva un valore primario e la proprietà intellettuale di un’opera non era legata alle pastoie giuridiche del nostro copyright - è stato il principale [...] Continua la lettura